<?xml version="1.0" encoding="UTF-8" ?><rss version="0.91"><channel><title>filmmaking.net articles</title><link>http://www.filmmaking.net</link><description>Latest articles on a range of film and movie-making topics from filmmaking.net</description><language>en-gb</language><copyright>Copyright 2022 Cinemagine Media Limited</copyright><docs>http://www.filmmaking.net/rss/fnetarticles.xml</docs><lastBuildDate>2022-10-12 07:10 GMT</lastBuildDate><item><title>5 Things to Fix Right Now to Help Your Filmmaking Career</title><description>Producer Jen Alvares checks off five key things for new filmmakers to consider when getting their careers moving.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=322</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How a Film Can be Made (or Destroyed) in the Edit</title><description>Film editor Sven Pape (aka This Guy Edits) breaks down two cuts of Oscar-winner Kenneth Lonergan&apos;s 2011 film, &quot;Margaret&quot;. The Studio released failure and the masterful &apos;extended&apos; edition. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=321</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>NFTs – The Future of Film Finance?</title><description>Riding the wave of blockchain innovation, Non-Fungible Tokens (“NFTs”) saw an explosion of interest in 2021. Many in the film industry have become excited by the potential for using NFTs as a secure and decentralised form of film funding.  Something to it, or just the latest tech bandwagon?</description><link>http://www.filmmaking.net/articles/show_article.asp?id=320</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Six Film Insurance Policies that Filmmakers Should Consider</title><description>The need for insurance on a film production is an unfortunate reality faced by all filmmakers.  Grant Patten from Front Row Insurance provides an overview of six key insurance types indie filmmakers should be looking at for projects of any size.  </description><link>http://www.filmmaking.net/articles/show_article.asp?id=319</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Top 7 Experimental Movies of All Time</title><description>Have you ever seen a film that makes you feel certain things you couldn&apos;t even imagine existed? Have you felt incredibly confused and then suddenly relieved for the next 2 minutes? </description><link>http://www.filmmaking.net/articles/show_article.asp?id=318</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Unreal Engine for Indie Filmmakers - Tribeca Teams Up With Epic Games for a Series of Workshops</title><description>Epic Games&apos; Unreal Engine has been powering games across the industry for many years now.  But more recently it has started to infiltrate the film industry as a go-to method of powering real-time virtual backdrops on set.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=317</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How Star Wars Was Made in the Edit</title><description>In this video essay, the guys at RocketJump explore how Star Wars&apos; editors recut and rearranged Star Wars: A New Hope to create the cinematic classic it became.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=316</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>New H.266 Video Codec is 50 Percent More Efficient Than H.265 and 75 Percent More Than H.264</title><description>Officially known as H.266/Versatile Video Coding (VVC), the new video codec has been put forward by the Fraunhofer Institute, a German organisation which has been at the forefront of leading audiovisual codec development for decades.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=315</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Time to Ditch Premiere Pro CC for DaVinci Resolve 16?  Engadget Says Maybe</title><description>Black Magic Design&apos;s DaVinci Resolve has been around for many years, and version 16 came out over a year ago.  Engadget is gotten around to doing a full &apos;in anger&apos; review to see how the free Resolve 16 holds up against the expensive Premiere Pro CC.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=314</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>3 Fundamental Ways of Adding Sound to Film</title><description>Sound in film may seem like it&apos;s pretty obvious, but David Freudenberg suggests taking a step back to a more abstract view first ultimately helps you create better soundscape for your work.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=313</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>5 Beginner Tips for Better Framing and Composition in Cinematography</title><description>Rob Holder looks at some simple photography tips that can elevate your shots to new heights.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=312</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How to Get Film Permits and Location Releases</title><description>The key considerations and process for going about getting location filming permits and releases for your production.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=311</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Disney Uses Epic&apos;s Unreal Game Engine to Render Virtual Sets In Real Time on The Mandalorian</title><description>Jon Favreau and the team talk about how using a virtual sets build in the Unreal game engine has revolutionised both the look and workflow of The Mandalorian.  </description><link>http://www.filmmaking.net/articles/show_article.asp?id=310</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>AI Helps Up Scale 1896 Lumiere Brothers Film to 4K 60fps</title><description>Using a pair of publicly-available enhancement tools, artist Denis Shiryaev was able to take one the Lumeire Brothers&apos; most famous early works and present a convincing UHD version.  </description><link>http://www.filmmaking.net/articles/show_article.asp?id=309</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Ultimate Guide to the Sundance Film Festival</title><description>Since it&apos;s meteoric rise to prominence in the 1990s, the Sundance Film Festival has maintained its position as both America and the world&apos;s premier event for independent film.  Sundance now sits comfortably in the top five most prestigious film festivals (alongside Cannes, Venice, Toronto, and Berlin).</description><link>http://www.filmmaking.net/articles/show_article.asp?id=302</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Crewing Up Online: How to Hire a Professional Production Team  </title><description>The deeply collaborative nature of filmmaking can be both beautiful and terrifying. When the chemistry is right, the crew is on their game and the creative juices are flowing, being on set is a high like nothing else.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=308</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Quentin Tarantino Talks Recreating the 1960s Through Soundscapes</title><description>In this podcast, director Quentin Taratino talks about how he used music and sound to evolve the late 1960s feel for &apos;Once Upon a Time... in Hollywood&apos;.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=307</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How Being Yourself Can Make You Hilarious | Taika Waititi on Filmmaking</title><description>Director Taika Waititi talks about success, failure, and how he deals with the ups and downs of pursuing a filmmaking career. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=306</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Pros and Cons of International Co-Production</title><description>International co-production can be a powerful tool for closing the gap in the funding of your independent film production.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=305</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Cannes Film Festival For Beginners</title><description>The Cannes Film Festival.  The mere mention of this event conjures up images of red carpets, glittering premieres, and of course celebrity parties.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=36</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Sound of First Man</title><description>In this podcast from the guys at SoundWorks Collection, the composer and sound design team for &apos;First Man&apos; discuss their approach creating the soundscape for the dangerous world of early space flight. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=304</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>4 Tips To Help You Begin a Documentary Film</title><description>In the Documentary world, it&apos;s fairly common to fall into the journalistic route and shoot a &quot;news&quot; piece rather than a film. Often times, filmmakers find these incredible stories, but the subjects are not willing to let access into their lives in a meaningful way over a long period of time.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=303</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Netflix Announces Post Technology Alliance to Help Filmmakers Prep Deliverables</title><description>As any filmmaker will attest, one of the biggest hurdles in the last mile to get a film project across the line is preparation of the deliverables.  A multitude of formats are complicated by very exacting configuration requirements which can vary wildly between distributors and platforms. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=300</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Blackmagic Follows Apple&apos;s Lead and Releases it&apos;s own RAW Video Codec</title><description>Still photographers have been used to the benefits of shooting in RAW format for many years now.  More recently there has been a move towards bringing RAW flexibility to the video camera world.  Apple launched ProRes RAW in June 2018 and now Blackmagic has joined the party.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=301</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Screenplay Competitions - Are they worth the entry fee?</title><description>Over the last few years screenplay competitions have been popping up all over the place. Some are attached to established film festivals or sponsored by local filmmaking groups or even government agencies. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=147</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Six Key Areas in Which Film Festivals Need To Up Their Game</title><description>Today there are many thousand film festivals run across the globe every year, providing almost limitless opportunities for filmmakers to get their work in front of an audience, and in some cases (particularly where a film is good), offering one of the shortest possible paths to a filmmaking career... once you get through the submissions process.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=153</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Hollywood Reporter Introduces You to 25 Industry Players Who Can Get Indie Films Made</title><description>Independent film has always faced a difficult challenge when it comes to financing, arguably more so these days.  However, there are still plenty of people keeping the faith and the Hollywood Reporter has compiled a list of players who have a strong track record of delivering when it comes to indie film.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=298</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>4 Filmmaking &apos;Rabbit Holes&apos; To Avoid</title><description>Brian O&apos;Malley from Screenplay Readers takes a look at four areas in the filmmaking process which can end up derailing an otherwise great project. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=297</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>RED Announces the New Monstro 8K VV Full-Frame Sensor for WEAPON Cameras</title><description>RED has had an 8K sensor available for sometime in the form of the RED Dragon VV, but the announcement of the Monstro represents a significant step forward in both quality and simplification of the workflow.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=295</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Blocker App Brings Augmented Reality Shot-Planning to Your iPhone</title><description>With iOS 11 hot of the production line, mixed reality agency AfterNow has wasted no time leveraging Apple&apos;s ARKit to deliver a free augmented reality tool to help directors compose their scenes.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=294</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>12 Angry Men- A Lesson in Staging</title><description>Using Sidney Lumet&apos;s &apos;12 Angry Men&apos;, Andrew Saladino from The Royal Ocean Film Society looks at how blocking and staging can add emotion and density to scenes which may otherwise end up rather dull.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=292</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How to Make a Blockbuster Movie Trailer</title><description>The super-talented Craven Moorhaus and Zak Koonce (aka Auralnauts) have created the perfect blueprint for your blockbuster movie trailer.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=291</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Common Mistakes Directors Make When Adapting a Book into a Movie</title><description>News that a certain beloved book is being adapted into a movie or even worse, a blockbuster, is concomitantly met with both joy and dismay by the same category of people - the fans.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=290</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Clint Eastwood Gives the Cinema Masterclass at the 2017 Cannes Film Festival</title><description>The Master Class is an annual festival fixture in which a respected film practitioner is invited to talk about their approach and their body of work.  Watch Clint Eastwood give the 2017 edition.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=289</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How to Film Safely at Height</title><description>Leila Jones looks at the regulations and best practice approaches to keeping your crew (and yourself) safe when filming at heights.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=288</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Behind the Scenes With the New RED Weapon 8K Camera on Guardians of the Galaxy Vol.2</title><description>Go behind the scenes with Guardians&apos; Director James Gunn and Director of Photography Henry Braham, BSC as they discuss their vision for the movie and the experience they wanted to give viewers.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=287</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Economist Thinks We&apos;ve Reached &apos;Peak Indie&apos;</title><description>Anyone working in the indie scene over the past few years will have noted the paradox that now exists between the exponential increase in the availability of new distribution platforms and the ever-increasing difficulty for indie films to recoup their budgets.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=286</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Pixar in a Box - Free 9 Part Course in Storytelling</title><description>Khan Academy has teamed up with the master storysmiths at Pixar to provide a video course in the art of storytelling.  And if that wasn&apos;t cool enough, the whole course is available for free.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=285</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Financing Your Short Film - Three Ways to Bypass Industry Gatekeepers</title><description>Thomas Verdi from The Film Fund looks at the realities of trying to crowd-fund a short film and discusses some alternative ideas.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=283</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The 24 Best Movie Posters of 2016</title><description>Rotten Tomatoes has compiled it&apos;s list of the year&apos;s best movie posters (from a graphic design perspective).  </description><link>http://www.filmmaking.net/articles/show_article.asp?id=282</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How to spot a scam film festival</title><description>These days, it seems that every man and his dog wants to run a film festival, which is fantastic in many ways, not least because it provides a greater number of outlets for filmmakers to get their work in front of an audience. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=198</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>5 Movies that Will Change Your Perception of Movie Making</title><description>The film industry is filled with inspirational moments that changed millions of mindsets throughout our planet. However, today we&apos;ll focus on the main 5 movies that succeeded to alter the methods of shooting movies. Let&apos;s see which these are and where lies the source of their power to turn things around.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=281</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Fifteen Points of Mise en Scene</title><description>When it comes to a making a movie, the arrangement of a scene has a huge impact on the audience&apos;s perspective. If the audience is intended to feel a particular emotion, or notice a particular detail, mise en scene visually does the work.  Without putting proper thought into these aspects, many key opportunities are missed, thus lowering the value of the scene and reducing its potential.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=280</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Kodak to offer free filmstock to Kickstarer filmmakers</title><description>Reports of the death of film may be &lt;strike&gt;greatly&lt;/strike&gt; slightly exaggerated.  Kodak has announced a partnership with Kickstarer which will see the former industry giant supplying free 35mm and super 16mm stock to selected feature film projects, correlated to the amount the project raises on the crowd-funding platform.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=270</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How To Stop Your Characters&apos; Dialogue From All Sounding The Same</title><description>Aspiring screenwriters are often told that all their characters sound the same. The grandma sounds the same as the teenager. The professor sounds the same as the stripper, etc.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=268</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Review:  Directing Motion Tour with Vincent Laforet Bundle</title><description>Directing Motion Tour With Vincent Laforet is a bundle of videos of workshops conducted director Vincent Laforet across the country, presented by MZed, a specialist provider of online training for the creative industries.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=266</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Star Wars: The Force Awakens VFX Reel</title><description>The VFX reel shows a range of shots from the film and provides great insight into the blend of practical and digital effects the make up many of the sequences in the film.  Needless to say... SPOILERS!</description><link>http://www.filmmaking.net/articles/show_article.asp?id=267</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Just When You Thought They Were Out... Kodak Launches Super 8 Revival</title><description>Kodak is probably the largest victim of the digital media revolution, famously missing the boat as the world shifted from an analogue film world (which Kodak dominated) to one made of CCDs and pixels.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=265</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Tarantino and Team Talk About Shooting for 70mm on The Hateful Eight</title><description>In this featurette for the release of the film, Quentin Tarantino and others talk about the experience of shooting on 65mm and using the now rare Ultra Panavision aspect ratio.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=264</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Birdman and the Secret of &apos;Continuous&apos; Takes</title><description>The Film Theorists take a look at how Alejandro González Iñárritu&apos;s Oscar-winner Birdman achieves the feel of being shot in one continuous take (when it wasn&apos;t).  </description><link>http://www.filmmaking.net/articles/show_article.asp?id=263</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Script Rewrites: The Good, The Bad, and The Convoluted</title><description>Zachary Evans looks at some of the benefits and pit-falls of having more than one writer on a project by putting the lens on three films whose multi-writer scripts had very different outcomes.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=262</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Manage Collaboration During Post More Effectively with Everytime</title><description>Anyone who&apos;s worked on a creative project knows that one of the hardest things is managing the review and feedback process, particularly when you can&apos;t always get everyone in the same room.  Feedback and direction in emails or on the phone only goes so far.  As always, it&apos;s way more effective to be able to show someone what you mean.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=261</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Callsheet Operator - Call sheets for the 21st century</title><description>The concept of call sheets hasn&apos;t changed much in over half a century.  Although there have been many valiant efforts to modernise them over the last decade or two, there hasn&apos;t really been anything to revolutionise the process... until now.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=260</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Should Authors Become Screenwriters?</title><description>Zachary Evans looks some of the pros and cons facing authors looking to adapt their work for the screen, with some notable examples on both sides of the argument.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=259</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>CGI and Practical Visual Effects of Mad Max: Fury Road</title><description>In an excellent piece over at FX Guide, Ian Failes takes an in-depth look at how some of the most stunning visuals from Mad Max: Fury Road were achieved blending in camera action with CGI.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=258</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Composing movement, Kurosawa style</title><description>Akira Kurosawa is celebrated as one of the greatest film directors in history.  He true mastery of the medium is evident in every one of his films.  In this video, the guys over at Every Frame a Painting take a look at how use of movement in different planes of a shot elevates a scene from pedestrian to grand master.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=256</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How to be a Filmmaker</title><description>Ok, so it&apos;s &apos;branded content&apos; for Kessler Cranes, but garnered a few laughs here as it isn&apos;t actually far off the mark.  </description><link>http://www.filmmaking.net/articles/show_article.asp?id=257</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Understanding Speedboosters</title><description>Cinematographer Jon Kline explains the benefits of using a speed booster to both increase the number of lenses available for your DSLR, but also the effect it can have on your shots.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=255</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Becoming a Full-Time Filmmaker:  When to Quit Your Day Job.</title><description>Mark Boucher provides some thoughts and tips on how and when to make the move into a full-time career in filmmaking.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=248</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Man Behind the Voice - Getting the Most from ADR</title><description>Sound engineer and recordist Tristan Rose discusses the importance of ADR and his experience in a range of techniques for getting the best from your actors and your equipment in audio post.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=247</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Why a Director Shouldn&apos;t Edit Their Own Film</title><description>Dan Selakovich puts forward a detailed and compelling case for why directors should never edit their own films.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=246</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Why You Shouldn&apos;t Use Shaky-Cam</title><description>Shaky camera techniques were popularised in the early 2000s by the directors like Paul Greengrass. Dan Selakovich looks at why this technique fails audiences when it comes to theatrical films.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=245</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Sound of Interstellar</title><description>The awesome chaps over at Soundworks Collection have another great sound design interview, this time with Richard King, the Supervising Sound Editor on Christopher&apos;s Nolan&apos;s scifi epic, Interstellar.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=244</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Effective Scenes - Silence of the Lambs</title><description>In this short video, Tony at Every Frame A Painting looks at the ingredients of an effective scene using the classic first meeting from &apos;The Silence of the Lambs&apos; to illustrate the point.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=243</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Beware of scam &apos;film festivals&apos; and dubious competitions.</title><description>filmmaking.net lifts the lid on the scam event Alaska International Film Festival and provides some general advice on what to look for to ensure a film festival is genuine.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=94</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>FEAR ON FILM: Landis, Carpenter, Cronenberg!</title><description>Chiller-masters John Landis, John Carpenter, and David Cronenberg chat about selling fear on film in this 1982 interview.  </description><link>http://www.filmmaking.net/articles/show_article.asp?id=242</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Top 10 Most Effective Editing Moments of All Time</title><description>Underneath the &apos;popcorn&apos; commentary is a great list of sequences worthy of a place in a top 10 editing moments list. Well done CineFix.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=241</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Game of Thrones S04 VFX Reel</title><description>A bit of eye candy... Game of Thrones Season 4 VFX reel.  It&apos;s always interesting to see how real locations and sets can be enhanced with digital elements.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=240</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Michael Bay and &apos;Bayham&apos;</title><description>The guys at Every Frame a Painting take a close look at the anatomy of a Michael Bay shot.  The result is a very interesting watch.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=239</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Matt Damon and Ben Affleck Want You For Project Greenlight</title><description>Project Greenlight, a HBO filmmaking reality series which originally aired in the early 2000s is coming back.  Using tried and tested reality TV techniques, the series aimed to follow a group a filmmakers as they attempted to take their indie projects from genesis to reality.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=238</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Voice Over Recording Equipment</title><description>Jessica Wight looks at the basic gear you need to get great results recording voiceover or narration for your project.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=237</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Making my first Commercial: A Filmmaker&apos;s Diary</title><description>How do you go about making a professional commercial within a 5-day timeframe?  As a film student (I study at Met Film School in Berlin) I am used to making short films within a limited time and with a small crew, each of us undertaking 2-3 key practical roles to get the production underway. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=235</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>COMPETITION:  YouTube and D&amp;AD Launch &apos;Next Director&apos; Award</title><description>If you&apos;ve been scratching around with your own projects for the past couple of years, a new competition brought to you by YouTube and D&amp;AD could be the thing to take your directing career to the nest level. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=234</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>COMPETITION:  Win a scholarship to Budapest Film Academy</title><description>If you fancy a filmmaking sabbatical to Hungary for autumn 2014 then the scholarship competition at Budapest Film Academy is definitely for you.  Submissions are currently being accepted for scholarships in screenwriting, directing, producing, cinematography, editing and sound recording courses. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=236</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How an Actor&apos;s Face Changes With Lighting</title><description>Any filmmaker knows that lighting is one of the most powerful tools in telling a cinematic story.  This experimental short &quot;Sparkles and Wine&quot; provides a beautiful and practical demonstration on how changing the lighting on an actor can have a dramatic effect on their appearance.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=233</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>New Mo-Cap Rig Renders Scenes in Real-Time</title><description>Motion-capture technologies (and techniques) have come forward in leaps and bounds over the past decade, however one of the main limitations in this very young sector has always been the power to preview the results of a shot in real-time and at a quality which reflects more what the final output will be.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=232</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Interview with VFX Pioneer Dennis Muren</title><description>Dennis Muren occupies a rare place in movie history as one of the truly great pioneers of visual effects.  Boing Boing blogger Mark Frauenfelder talks with Muren about his career and the craft.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=231</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>D16 Bolex &apos;Digital 16mm&apos; Camera Available to Pre-Order</title><description>Off the back of a successful Kickstarter campaign, Digital Bolex (a JV between the original Bolex company and start-up Cinemeridian) are set to launch their first product - the D16 Bolex, digital 16mm camera.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=230</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Sound of &lt;em&gt;All is Lost&lt;/em&gt;</title><description>The chaps over at SoundWorks Collection explore Director J.C. Chandor&apos;s new film, &lt;em&gt;All is Lost&lt;/em&gt;. Premiered at the 2013 Cannes Film Festival, the film features only one character and contains almost no dialogue yet is brought to life almost entirely by sound design.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=229</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How To... Film The Great Outdoors Using a DSLR</title><description>Filmmakers are referring to DSLR filmmaking as a revolutionary invention.  It achieved a huge leap forward in the quality of the image and moreover it has become available to millions of potential filmmakers, helping to spread the word and passion.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=228</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>3 New Skills Every Digital Editor Should Develop</title><description>Even veteran filmmakers who have a certain defined and reliable style should think about how they can make their projects better. It&apos;s relatively easy these days to pick up new skills, thanks to the proliferation and accessibility of online training and tutorials. With digital editing programs, you can give your videos a new look and feel, and overall approach.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=227</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Film School Thru Commentaries</title><description>Film School Thru Commentaries is an interesting blog which collates video and audio interviews with successful filmmakers on a range of topics.  Here&apos;s a taster with a piece in which Kevin Smith weights in on that timeless question: to film school or not to film school...</description><link>http://www.filmmaking.net/articles/show_article.asp?id=226</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Movie Poster Cliches</title><description>Jackomatic has put together this interesting blog post, entitled &lt;em&gt;15 Over-Used Movie Poster Clichés&lt;/em&gt; which looks at graphic design styles which are commonly used for posters for movies in specific genres.  The post generally takes a negative view towards this, singing the familiar &quot;Hollywood is creatively bankrupt&quot; tune.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=225</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>4 Reasons Why Video Glasses Could Replace External Camera Monitors</title><description>Despite the fact external monitors have dropped in price considerably over the years, they still cause many difficulties for filmmakers and photographers that have small production crews. Even the most accessible external monitors can be fiddly and difficult to see properly in bright locations, often making their unique selling points not worth the hassle.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=224</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Sound of Monsters University</title><description>In this profile SoundWorks Collection talks with Sound Designer Tom Myers of Skywalker Sound about his work on Pixar Animation&apos;s latest film, Monster University.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=223</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Lucas &amp; Spielberg&apos;s Death Knell and What it Means for Indie Creators</title><description>At a recent talk at the USC School of Cinematic Arts, George Lucas and Stephen Spielberg made some interesting predictions about the future of the film industry. In a nutshell, they both agreed that some major changes are coming to the box office, culminating in an implosion that will forever change the face of filmmaking. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=222</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Changing Shape of Cinema:  The History of Aspect Ratio</title><description>Ever stopped to think about just how we ended up with the film and video aspect ratios we now take for granted.  The guys over at FilmmakerIQ.com have put together some great overview of the history of aspect ratios.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=221</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The future of cinema and TV: It&apos;s game over for the hi-res hype</title><description>Not deterred by receiving a &apos;meh&apos; from the marketplace after a big advertising push for 3D televisions, the consumer electronics industry is busy trying to get everyone excited by the next big thing - 4K screens.  Digital video expert, John Watkinson, debunks some of the current (and previous) received wisdom regarding resolutions and framerates in this fascinating piece.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=220</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How to Create Subtitles</title><description>Unless you happen to be a true polyglot, chances are you&apos;ve relied on subtitles to make sense of things at some stage, whether it&apos;s the latest foreign art-house flick or just quiet, muffled or plain incomprehensible speech in your own language. It&apos;s often forgotten, however, that subtitles have also long played another vital role in giving the hearing-impaired the chance to make sense of moving images. They may be a vital aid, but have you ever stopped to wonder how those all important words came to be on your screen?</description><link>http://www.filmmaking.net/articles/show_article.asp?id=219</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>What Could Remake-Obsessed Hollywood Learn From Shakespeare?</title><description>If there&apos;s one thing everybody likes to do in Hollywood, it&apos;s complain about remakes. One article after another voices disgust at the latest reboot. Remakes, they say, are absolute proof that Tinseltown has lost its imagination. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=217</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Director Kory Martin Juul Creates CG Feature Almost Single-Handedly</title><description>Literally a one man army, acclaimed visual effects artist, director and black belt, Kory Martin Juul, has animated a 100 minute family martial art feature... almost entirely on his own.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=218</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Three Online Colleges that Offer a Degree in Filmmaking</title><description>There are a number of excellent opportunities available in the entertainment field. Whether you have an interest in directing, screenwriting, production or a combination of positions, with the correct training and an online degree, you will have the confidence, experience and knowledge required to have a successful entertainment career.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=216</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Zach Braff, Kickstarter, and Financing Your Film For Free</title><description>Last week&apos;s news that Zach Braff had successfully raised over $2 million via Kickstarter to fund &quot;Wish I Was Here&quot;, his sophomore outing as a director after 2004&apos;s well-received&quot;Garden State&quot;, got me thinking.  Has Zach managed to pull off every producer&apos;s dream - funding your film for free?</description><link>http://www.filmmaking.net/articles/show_article.asp?id=215</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Next Greatest Thing of the Movies... Not!</title><description>Catcalls and plaudits for Peter Jackson&apos;s 3D HFR (High-Frame-Rate for the technically challenged) version of &lt;em&gt;The Hobbit&lt;/em&gt; remind film makers everywhere that people, not machines, create the magic of movies. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=214</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>3 Tips for Terrific Title Sequences</title><description>When making a film of any sort, the time inevitably comes to credit cast and crew... in addition to the end credits, it has become film tradition to also bookend the movie with an opening title sequence.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=212</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Technicolor Adds Final Cut Pro X Support to Color Assist</title><description>In late 2012 Technicolor released Colour Assist, a grading package drawing on the company&apos;s multi-decade experience in working with colour in motion pictures.  The new version announced today brings with it support for Final Cut Pro X users.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=213</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Roles of a Producer</title><description>Anyone who watches movies knows that almost every film comes with a gaggle of &apos;producers&apos;.  In addition to &lt;em&gt;the&lt;/em&gt; Producer(s), most credit sequences are stacked with titles such as Executive Producer, Associate Producer, Co-Producer, and even Co-Executive Producer.  But recently I&apos;ve noticed that there is a more fundamental lack of understanding of what a producer actual does, particularly with newer filmmakers.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=210</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Kodak&apos;s 2013 Student Scholarship Program</title><description>Once mighty Kodak has taken a pretty severe beating of late and while the company has retreated from consumer photography, it remains committed to its presence in the motion picture space.  As part of this commitment, Kodak has announced a call for applications for its 2013 student scholarship program.  </description><link>http://www.filmmaking.net/articles/show_article.asp?id=211</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Through the Lens:  Conversations with Cinematographers, Dean Cundey</title><description>In the first episode of the series, veteran cinematographer Dean Cundey (&quot;Apollo 13&quot;, &quot;Back to the Future&quot;, &quot;Jurassic Park&quot;) talks through his experience with Craft Truck.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=209</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Top 5 - Crowd Funding Mistakes</title><description>The idea of crowd-funding independent films has received a lot of attention of late, with several filmmakers singing praises of the ability to shortcut the cumbersome financing process and go straight to the audience.  But the crowd-funding route isn&apos;t an automated route to budget riches.  Producer and marketing consultant James J. Heath looks at the Top 5 Crowd-Funding Mistakes.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=208</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Have Seamless Green Screen Sets Finally Arrived?</title><description>ILM would like you to think so.  A recent post to their YouTube channel shows just how little of the final sequence of &apos;The Avengers&apos; was actually shot in New York City (where the action actually takes place).  </description><link>http://www.filmmaking.net/articles/show_article.asp?id=207</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Documentary Filmmaking: When Lying Tells the Truth</title><description>It&apos;s a problem that seems to be shared by both quantum physics (a subject about which I know a ton, seriously) and documentary filmmaking - does the act of watching something change it in some fundamental way?</description><link>http://www.filmmaking.net/articles/show_article.asp?id=206</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>COMPETITION:  Nokia + Music Video + Sundance London = Cash Prizes!</title><description>News of a music video completion dropped in our inbox this morning where some cash prizes, cool phones, and a chance to have your work premiere at the 2013 edition of Sundance London.  Here&apos;s the blub:</description><link>http://www.filmmaking.net/articles/show_article.asp?id=205</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How to be Quentin Tarantino</title><description>With the recent release of Tarantino&apos;s eighth feature as a director, the guys over at Film Doctor take a look back over his career to date, and how the once video store clerk has achieved and maintained his seat at the table of top directors.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=204</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Sound of The Hobbit: An Unexpected Journey</title><description>The guys over at SoundWorks Collection visit Park Road Post Studios in Wellington, New Zealand to talk with the sound team of Director Peter Jackson&apos;s first instalment of The Hobbit: An Unexpected Journey.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=203</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How Digitization Affects Film Festivals</title><description>All cinemas are expected to convert to digital projectors by 2015, and this digital shift is having a dramatic affect on film festivals submission, exhibition, and distribution processes. Digital cinema equipment provider Quvis looks at the implications for indie filmmakers.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=202</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>COMPETITION:  Win a Scholarship to Study Filmmaking or Screenwriting at Budapest Film Academy</title><description>BIf you fancy spending spring and beyond studying filmmaking in Hungary, then you&apos;ll be excited to learn that the Budapest Film Academy has announced a set of scholarships covering full and part tuition.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=201</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>HFR Filmmaking with Hollywood FX Pioneer Douglas Trumbull... from the 1980s </title><description>The recent release of The Hobbit has caused an awful lot of buzz, both in from critics and fans, but also from filmmakers, due to Peter Jackson&apos;s decision to shoot at 48 frames per second.  Although James Cameron has also gone on record as a fan of high frame rate (HFR) shooting, the concept isn&apos;t actually new.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=200</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>TUTORIAL: Colour Grading a Sequence in Final Cut Pro</title><description>Ruan Lotter runs a YouTube channel called Tunnelviziontv which contains a number of interesting tutorials, product tests, and other stuff of interest to indie filmmakers.  In this post Ruan looks at colour grading with Final Cut Pro.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=199</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Technicolor Launches &apos;CineStyleT Color Assist&apos;, an Entry-Level Colour-Correction/Grading Tool</title><description>When it comes to colour and motion pictures, there are few companies out there who can match the expertise and experience of Technicolor.  The company&apos;s name is of course synonymous with helping shift movies from the black and white to the full-colour realm, but historically its technology has mainly been utilised by Studios and expensive post facilities.  But with the launch of CineStyleT Color Assist, high-quality, real-time colour correction and grading software is now available to indie filmmakers everywhere.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=197</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Big Apple Film Festival: November 14th-18th</title><description>Named one of MovieMaker Magazines &quot;25 Coolest Film Festivals,&quot; The Big Apple Film Festival, hosted by The Big Apple Film Society, is not just another congregation of independent artists in NYC.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=196</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Sound and Music of &apos;The Dark Knight Rises&apos;</title><description>The guys over at SoundWorks Collection profile the sound and music team behind &lt;em&gt;The Dark Knight Rises&lt;/em&gt;, including Composer Hans Zimmer and Supervising Sound Editor and Sound Designer Richard King.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=195</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Festival du Nouveau Cin&amp;eacute;ma</title><description>Known as the Montreal Festival of New Cinema and New Media (FCMM) until 2004, this independent film festival has gone through years of change and development.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=194</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How To Move from Photography to Cinematography</title><description>During my time as an undergraduate in college, I used my skills as a photographer to garner extra revenue whenever possible. This revenue would flow back into my main area of expertise and passion, film.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=193</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Recommended Read:  &apos;My Indecision is Final&apos; by Jake Eberts</title><description>Jake Eberts, who passed away last week at the age of 71 from complications related to a rare eye cancer, was a legendary and prolific British producer, responsible for a string of successful movies over a period of 30 years.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=192</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>GreenlightMyMovie Wants to Get Your Work In Front of Hollywood</title><description>Launched recently Greenlightmymovie.com has joined a space which has previously been known mainly as a mausoleum of ideas to use the web as a kind of dating service for indie filmmakers and Hollywood execs.  While a few stragglers remain in the space, notably Studio Beyond and Trigger Street, the concept has felt tired for several years now.  But there are several reasons which make us want to Givegreenlightmymovie.com the benefit of the doubt and suggest filmmakers with good ideas give it a whirl.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=190</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Tom Cruise Wants to Help You Make Movies With Your Mobile</title><description>Smart phones have had the capability to record video for over a decade now, but recent years have seen an exponential increase in the quality of the cameras and the resolution at which they can record.  Unsurprisingly, more than a few filmmakers have cottoned on to the fact it has been possible to make films with mobile phones and tablets for some time now.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=189</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Start-up Riftlabs Preps &apos;KICK&apos;, a Revolutionary Video/Photo Light</title><description>The Kick is a video &amp; photo light like nothing you have ever seen. Some say it is revolutionary. Nofilmschool.com thinks it might be &quot;the future of lighting&quot;!</description><link>http://www.filmmaking.net/articles/show_article.asp?id=188</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>COMPETITION: &apos;Imagination Series&apos; with Oscar-Winning Screenwriter Geoffrey Fletcher, Tribeca Film Festival, and Bombay Sapphire</title><description>Iconic gin brand Bombay Sapphire has launched the &apos;Imagination Series&apos; in association with the Tribeca Film Festival, a global film competition offering budding filmmakers the chance to make their own short film with imagination at its heart.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=187</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>San Francisco Frozen Film Festival, July 2012</title><description>San Francisco, a world-renowned city for tourists is now the destination for the independent filmmaker. Every July, San Francisco hosts the &lt;a href=&quot;http://www.frozenfilmfestival.com/&quot; target=&quot;_blank&quot;&gt;Frozen Film Festival&lt;/a&gt;.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=186</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Sound of Prometheus</title><description>The SoundWorks Collection talks with the sound team of Director Ridley Scott&apos;s latest science fiction film &quot;Prometheus&quot; including Supervising Sound Editors Mark Stoeckinger and Victor Ennis, Sound Re-recording Mixers Ron Bartlett and Doug Hemphill, Sound Designers Ann Scibelli and Alan Rankin, and Sound Effects Researcher Charlie Campagna.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=185</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>REDucation X - Learn to Shoot RED, the &apos;Deep-End&apos; Way</title><description>Kicking off in October 2012, REDucation X is a training initiative from the makers of the RED camera, one of the trailblazers in the digital cinematography scene.  REDucation X is a 16 week training program for filmmakers who want to have the opportunity to take their RED experience to another level and get some industry exposure at the same time.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=183</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>TUTORIAL - Quick Car Crash in After Effects</title><description>Ruan Lotter runs a YouTube channel called Tunnelviziontv which contains a number of interesting tutorials, product tests, and other stuff of interest to indie filmmakers. Here&apos;s a great tutorial on faking a car crash in After Effects:</description><link>http://www.filmmaking.net/articles/show_article.asp?id=184</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>So You Want To Break into Comedy Writing?</title><description>Looking around the landscape of professional comedy writers, one will find that a major breeding ground is &lt;em&gt;The Harvard Lampoon&lt;/em&gt;. Writers like Conan O&apos;Brien and B.J. Novak got their start from the prestigious university paper, and the hooks up coming out of their tight circle are extraordinary. But, before you get discouraged, know there are many other avenues to success.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=182</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>SeeFlik Offers Biannual Filmmaking Competition... With Cash Prizes!</title><description>In recent times there certainly hasn&apos;t been any shortage of filmmaking competitions with cash prizes. However this has largely been driven by marketing agencies and their big brand clients, who realised a while back that there&apos;s a huge talent pool out there hungry for exposure. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=181</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Shaky Cam Trend</title><description>There is probably no more reviled filming technique than the &quot;shaky cam&quot;, or the vomit cam as it is derisively referred to by those that it sends running from the movie theaters with hands pressed over mouth.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=180</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Greeting Cards for Movie People</title><description>For when a regular greeting card just isn&apos;t right, Joan Philo has created a range of cards with filmmaking themes to allow you to congratulate everyone on your team.  </description><link>http://www.filmmaking.net/articles/show_article.asp?id=179</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How Long Should Your Short Be?</title><description>How long should your short be?  An interesting question.  Obviously this is determined to a large degree by the story you are trying to tell, and the way in which you want to tell it.  But if you are hoping to also have your film reach the widest possible audience, the length of your film should also be set with the restrictions and realities of the potential outlets in mind.  </description><link>http://www.filmmaking.net/articles/show_article.asp?id=178</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Editing Dialogue Tutorial: How to Edit a Dialogue Scene</title><description>Ruan Lotter runs a YouTube channel called Tunnelviziontv which contains a number of interesting tutorials, product tests, and other stuff of interest to indie filmmakers. Here&apos;s a great tutorial on dialogue editing to start:</description><link>http://www.filmmaking.net/articles/show_article.asp?id=177</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Horror Effects That Won&apos;t Scare Your Budget</title><description>Horror effects can make or break your horror film. But you do not have to blow your budget to get good effects for your film. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=175</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Secrets to Film Distribution Success </title><description>Ask independent film producers and directors what causes them the most angst, confusion, headaches-or worse-in the filmmaking journey, and the answer likely will be: Distribution. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=176</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Becoming The Entrepreneurial Filmmaker</title><description>Recently the website DailyBeast.com posted the&quot;20 Most Useless Degrees&quot; report. Right in the number twelfth position is Theater; which includes acting, producing, directing and communications. This number is based on the 2012 job outlook study done by the National Association of Collages and Employers which was cross referenced  with the job growth and coursework information for the 2008-2018 report by the U.S. Department of Labor. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=174</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Negotiating The Holdback: What&apos;s At Stake</title><description>One of the most difficult negotiation points today for independent film producers in their domestic distribution deal is the hold-back of the release of the picture in the foreign territories. This one point by itself can bring the producer grief from almost every side, from his foreign sales agent to his own investors.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=173</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Technology and Film Editing</title><description>Kristen Brophy talks editing software and techniques with Jillian Corsie.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=172</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>&apos;The Hobbit&apos;, Shooting with 48(!) RED Cameras... at 48fps</title><description>Peter Jackson has released the fourth instalment of his Production Diaries from the set of &apos;The Hobbit&apos;.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=171</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The New New Thing...</title><description>What&apos;s the NEW new thing in independent film?  That&apos;s the question the forward looking early adapters in Hollywood ask every day.  In a hyper-competitive town, everyone wants to be on the leading edge.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=170</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Creative Minds Cannes Internships </title><description>If you&apos;re a filmmaking looking to get firsthand experience of how the international film industry works, then the Creative Minds Cannes Internship program may be right up your alley.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=169</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Flixfling Introduces Indiefling Channel for Independent Filmmakers</title><description>Online streaming movie service FlixFling accepts independent film submissions; making them available for rental or purchase.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=167</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How To: Filmmaking Techniques, Camera Angles and Basic Shots</title><description>Brian Jalbert from Iyrus Entertainment TV shows you some Filmmaking Techniques, Camera Angles and Basic Shots. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=168</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Montana Film Office to Give Away $20k in &apos;Pitch the 406&apos; Contest </title><description>Winner to get $20,000 in production equipment and services to film movie in Montana. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=166</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>DIY:  How to make inexpensive cheap homemade LIGHT STANDS (PVC)</title><description>Brian Jalbert Jr. from Iyrus Entertainment TV spills the beans on quick and dirty alternatives to expensive filmmaking gear.  In this episode, lighting stands get the DIY treatment.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=164</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>An Innovative Approach to Royalty-Free Music and Sound FX for Your Project</title><description>The web is awash with purveyors of low-cost, royalty free music and sound effects libraries, at almost every level of quality.  It&apos;s therefore hard to cut through the crowd to find quality clips, tunes, and samples which suit your project and aren&apos;t going to break the bank in the process.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=165</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>DIY: How to make a cheap BOOM POLE and SHOCK MOUNT </title><description>Brian Jalbert Jr. from Iyrus Entertainment TV spills the beans on quick and dirty alternatives to expensive filmmaking gear.  In this episode, the boom poles and microphone shock mounts get the DIY treatment.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=163</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>POINTS OF INTEREST: How Drugs, Rock and Roll and No Sex Made a Movie</title><description>Lets start with the end of the story first. It was the tenth day; the final day. Actually, it was technically the eleventh day. We had been driving for almost 18 hours straight, a bee-line from Easthampton, Massachusetts back to our home in Milwaukee, Wisconsin.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=162</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Hollywood Reporter 2011 Film School Rankings</title><description>Industry trade rag, The Hollywood Reporter, has published what sounds like it might be an annual list raking the 25 Best Film Schools in the world.  </description><link>http://www.filmmaking.net/articles/show_article.asp?id=161</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Competition:  Want to Make a Music Video for Queen?</title><description>The 40th anniversary celebrations continue for legendary rock band Queen as they invite talented videographers and film makers to create an original music video for their 1977 classic track &quot;Sheer Heart Attack&quot;.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=160</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Film London&apos;s Market Place Live:  From Inception to Exhibition in 90 Minutes</title><description>Film London, Gurinder Chadha (Bend it Like Beckham), and a panel of industry experts work through the development of a hypothetical film from concept through to exhibition.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=159</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>EPIC and the change in RED from Consumer pricing to Professional Pricing</title><description>The RED Epic-M, originally announced to be $40K, is now up to  $58K.  Addmittedly, it does more than the RED ONE, which cost only $17K, but does it do 3 1/2 times more?</description><link>http://www.filmmaking.net/articles/show_article.asp?id=150</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>So You Want to Make a Movie: Team Work</title><description>After deciding to do &quot;In the mixx: Dj&apos;s doing the work&quot; one of the first things I had to remove from my mind was the thought that I could do everything on my own. I always felt like I had a very diverse skill set. My background is in journalism and have written everything from stories to scripts. I&apos;ve run my own business for 4 years and I feel comfortable handling things on my own. Having multiple skills is great, but at some point you have to realize that one person can&apos;t hold down every job. Especially when you&apos;re talking about producing and filming a movie. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=156</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>High School Filmmakers Tear Down Walls</title><description>Almost three years ago, our son came home from a summer filmmaking program and wrote a script for a musical video he called &quot;School for Boy.&quot; He was 14.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=157</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Raindance and Direct Line Challenge You to Tell a Story in 40 Seconds Straight</title><description>Fancy yourself as the next Martin Scorsese or Tom Hooper? Well this may be the competition for you.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=155</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>RED vs. Alexa? Depends on the job.</title><description>Occupying the niche in the industry that I do (as a colorist not associated with a lab or telecine house), I grade mostly digitally captured images, and I have to admit that I was tremendously excited when the Alexa came onto the scene.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=152</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>So You Want to Make a Movie?</title><description>&quot;So you want to make a movie?&quot; That was the message that flowed through my mind when I first came up with the idea for my documentary &quot;In the Mix: DJs Doing Work&quot;.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=154</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>DA VINCI for Free is the best marketing strategy ever</title><description>Some colorists I have talked to have been very disappointed to discover that Blackmagic Da Vinci is about to be offered for free (or at least a slightly limited version).  Even though I will still be buying the software (the limitations of the free version will be a bit too much for me to use it as I need), I think this is the smartest possible thing that Blackmagic could have done, and I applaud them for it.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=151</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Get Someone to Help you with the Scissors</title><description>Guy Ducker provides some advice on why it&apos;s a good idea to get someone else to edit your film.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=149</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Lessons Learned on a Microbudget Horror Film</title><description>Werner Herzog famously stole a camera he&apos;d officially won in a film competition in order to make his first few films, feeling that it was destined to be his. With his admonition that in the age of digital cameras, anyone could make a film if they chose to do so, a few friends and I decided to write and film a micro-budget horror film.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=148</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Review:  Pocket Call Sheet for iPhone/iPad</title><description>For a 1st AD or production manager, producing daily call sheets is arguably one of the most critical tasks during any film shoot.  Most seasoned professionals will have their favourite desktop apps and methodologies for doing this, and now those who can’t be parted from their iOS devices can have their cake and eat it too.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=146</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Anatomy of a Scene: The Building Blocks of a Memorable Movie</title><description>From the outside looking in, a movie is just a collection of scenes that are tied together. So what separates the great films—the ones that are embedded in our collective consciousness—from the forgettable ones? Several things elevate a movie into being memorable: a great concept, a great cast, and ultimately, a great screenplay.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=144</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The filmmaking.net Links Directory is Now Live!</title><description>Well, it&apos;s been slightly longer in the making than we&apos;d hoped, but that&apos;s ancient history now.  The filmmaking.net Links Directory has launched!</description><link>http://www.filmmaking.net/articles/show_article.asp?id=143</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Trailer Festival 2011 Now Accepting Submissions</title><description>As a general rule, we don&apos;t do coverage of film festival calls for entry as there are just too many festivals out there, but in the case of The Trailer Festival, we&apos;re going to make an exception as there is a great filmmaking upside to this event.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=142</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Returning to Super 8</title><description>Joel Valle discusses the merits of re-evaluating the Super 8 format as a cheap and effective way to achieve that coveted &apos;film look&apos; for your projects.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=141</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Building Suspense: How to Keep the Audience on the Edge of Their Seat</title><description>As a screenwriter, the ability to craft dramatic suspense can turn your script from a basic, by the numbers story into something memorable, and the basis of a movie that people will remember.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=140</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Screenwriting: How to Get and Work with an Agent</title><description>As a screenwriter, there are a few ways to get your script sold and - possibly - made into a movie. Screenwriting contests have emerged as a way for unknown writers to get their name out there, but this requires either winning the contest or placing very high, and more than likely having to do it in multiple contests to get noticed.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=138</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Competition - make a part of Stephen Gyllenhaal&apos;s next film</title><description>Here&apos;s an unusual twist on the &quot;get a filmmaker to make us a commercial for free&quot; fad that seems to be sweeping the marketing and PR business at the moment:  create an infomercial for director Stephen Gyllenhaal&apos;s next film!</description><link>http://www.filmmaking.net/articles/show_article.asp?id=139</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Filmmaking is Making Widgets</title><description>When we compare modern moviemaking to widget production, it oftentimes seems as though we are saying that the end product of our work carries with it so much more human, emotional weight and experience than the mere production of a widget.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=137</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Ambitious Internet TV start-up looking for indie film content</title><description>The Internet is certainly awash with new players in the online TV market and all are seeking content.  Many of these have been little more than YouTube-alikes and probably don&apos;t represent much in the way of value for the indie filmmaker.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=136</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Product placement app launches, promotes &apos;scripts first&apos; policy</title><description>A new web app for product placement has launched, with a different take on how product placement deals can be approached. Product Place Me, founded by Rex Riepe, co-founder of Presskit&apos;n and HootCourse, seeks to take on bad product placement with a &quot;scripts first&quot; policy.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=135</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Free Cinematography Tutorials</title><description>Freelance cinematographer, Tom Antos, has put together a series of useful video tutorials on a wide range of cinematography topics, from shot composition and basic lighting, through to green screen and colour correction techniques. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=134</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Book Review:  The Guerilla Filmmaker&apos;s Pocketbook</title><description>&lt;em&gt;The Guerilla Filmmaker&apos;s &lt;/em&gt;series have been a staple of the indie guide bookshelf for over a decade now, and the winning formula of down to earth advice from real world industry people as lead to sales of over 100,000 copies. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=133</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Time Warner Cable and IFC Want to Take You to Sundance 2011</title><description>Well, kind of.  If you&apos;re a US resident and have a short film which is 2-5 minutes long (or want to make one in time for the deadline), Time Warner Cable and IFC are running a short film contest, the grand prize for which is four nights in Park City in January for you and your lucky friend to soak up all that is the Sundance Film Festival. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=132</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Preproduction: How to Make Sure You&apos;re Ready Before You Walk on the Set</title><description>In the world of independent filmmaking, it&apos;s easy to assume that more money can make any problem go away. But most filmmakers - independent or mainstream - will readily admit that nothing derails a project faster than being unprepared before the production begins.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=131</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Interview with Legendary Documentary-Maker Ken Burns</title><description>Ken Burns is one of America&apos;s leading documentary filmmakers.  With career spanning over 30 years, his work includes seminal documentaries &quot;The Civil War&quot; (1990), &quot;Baseball&quot; (1994), &quot;Jazz&quot; (2001), &quot;The War&quot; (2007), and &quot;The National Parks: America&apos;s Best Idea&quot; (2009).</description><link>http://www.filmmaking.net/articles/show_article.asp?id=130</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>New HD Art Channel Looking For Experimental Films</title><description>Ikono Menasa, the new 24/7 HDTV art channel on Arabsat, is looking for new experimental videos to be broadcasted via Satellite. Arabsat reaches more than 16.5 Million households in northern Africa, the Middle East and parts of Europe.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=129</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>IFP Filmmaker Conference: The Future of Film</title><description>The President of HBO Documentary Films, Sheila Nevins, and founder of Cinetic Media, John Sloss, will headline the Filmmaker Conference at the 32nd Annual Independent Film Week, Sept. 19-23 in New York.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=128</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The San Francisco Film Festival Lives Up to Its Reputation</title><description>Every Spring, San Francisco comes alive with fabulous films and the talented, creative minds who make the movies that touch hearts all over the world. The San Francisco International Film Festival (SFIFF) is the longest-running film festival in the United States, attracting more than 80,000 people each year.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=127</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Really Interesting Interview with Producer Gary Kurtz (Star Wars, Dark Crystal..)</title><description>Interviewed back in 2002, Gary Kurtz, the producer of films including &lt;em&gt;Star Wars, American Graffiti,&lt;/em&gt; and &lt;em&gt;The Dark Crystal&lt;/em&gt; provides a fascinating read on the role of the producer, film school, and the evolution of the current Hollywood model.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=124</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Experience Boston&apos;s Fabulous Film Festival</title><description>Boston, with all of its rich history and culture, is the perfect backdrop for filmmakers and film enthusiasts alike, which is why the Boston Film Festival (BFF) has survived and thrived for more than 25 years.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=126</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Is Your Script Ready?</title><description>As you&apos;re thinking about getting ready to try and sell your script, you should be asking yourself, is it really ready? The business of screenwriting is hard enough without jumping into the market unprepared.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=125</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Phillips and Ridley Scott challenge filmmakers to &apos;Tell It Your Way&apos;</title><description>Phillips are currently running a global competition giving aspiring filmmakers the chance to have their work judged by Ridley Scott!</description><link>http://www.filmmaking.net/articles/show_article.asp?id=122</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Experience the Magic of the Chicago International Film Festival This Year</title><description>Chicago is known as the Windy City, the proud home of the Cubbies and the White Sox, and the celebrated location of the annual Chicago International Film Festival.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=123</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Win Storage Gear and &amp;euro;5000 with Hitachi G-Technology</title><description>To promote their G-Tech storage system to filmmakers and other artists, Hitachi are running a competition called Driven Creativity.  The competition is open to shorts and features from amateur and professional filmmakers in the UK, Germany, and France only.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=121</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Get Your Short Factual Film Funded by Don&apos;t Panic</title><description>If you&apos;re a factual (documentary) filmmaker with an idea for a short film, pitch it to Don&apos;t Panic TV and they may give you the money to make it!</description><link>http://www.filmmaking.net/articles/show_article.asp?id=120</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Will the Real Author Please Stand?</title><description>With so many players involved in the filmmaking process, from the actors, writers and  directors, to the editors and cinematographers,  not to mention the studio executives throwing in their two cents, it&apos;s hard to tell who is responsible for the finished product of a film.  So who is the true author of a film?</description><link>http://www.filmmaking.net/articles/show_article.asp?id=119</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Video:  Working with 3D - The Sony World Cup Commercial</title><description>Academy Productions and Jonathan Glazer talk about the differences and challenges in shooting and producing work in 3D, using their Sony 3D World Cup commercial as the case study.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=118</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Focus 2010 - World Film Market Trends</title><description>Every year, the March&amp;eacute; du Film (Cannes Film Festival Market) published a free statistical guide to the worldwide distribution landscape for feature films.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=117</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Virgin Media Shorts is a short film competition that champions undiscovered talent.</title><description>Whether you&apos;re a film maker or a film lover, there are loads of ways to get involved. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=116</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Book Review:  Think Outside of the Box-Office</title><description>Benjamin Craig reviews &quot;Think Outside the Box Office&quot;, a new book by Jon Reiss covering distribution for independent filmmakers in the digital age.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=115</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Have a Sync: the new tool for music licensing </title><description>Have a sync is a new tool for music licensing, designed and managed by Bixio Publishing Group. It allows directors, advertising agencies, music consultants to find the perfect music for films, documentaries, commercials, TV series and other audiovisual productions. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=114</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Self Distribution: The Only Game in Town</title><description>You come up with a brilliant idea.  You write a great script.  By some miracle you find the money to make the movie.  It&apos;s finished and it came out pretty good.  Now what do you do?  This is the toughest part of the process; selling your film.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=107</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Distribution: The Never Ending Story</title><description>The first thing is to think about is the market.  Does the movie have a niche?  Who does the movie appeal to and who will pay to see it?  These questions need to be answered before you do a thing.  The distribution must be part of the plan from the beginning.  No other business would make a product and not know where it would be sold.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=108</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Tribeca Film Festival: Can Social Media Help &apos;Indie&apos; Filmmakers Make It Big?</title><description>A true artiste may argue that in the end it does not matter how successful a film is, so long as the story is told. But if the true purpose of filmmaking is to tell a story, is it really a story if no one is watching?</description><link>http://www.filmmaking.net/articles/show_article.asp?id=113</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>What I Really Want to Do Is Direct, Part I</title><description>Upon entering the film business everyone wants to direct, unfortunately there are not that many jobs available compared to the amount of people who want them. If directing is something you think would be fun or cool, you would be right.  However, this is not the right approach; it has to be a true calling for you.  You really have to want it more than anything else.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=110</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How to Market and Sell Your Movie on The Internet</title><description>Over the past decade, everything has changed for the indie filmmaker. These days, there is no excuse not to make a feature film. But just as importantly, there is no excuse not to view your filmmaking as a business. That means, you not only have to focus on making the movie - but you really need to have a strategy for making money from your movie.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=112</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Should You Move To Los Angeles?</title><description>Dropping everything and moving to LA may seem like a way of making your filmmaking career take off.  Lenny Manzo looks at the pros and cons of heading to Hollywood.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=109</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Interview:  Brenda Hineman talks microcinema with horror writer/director Steve Sessions.</title><description>Brenda Hineman conducts a guest interview with microcinema horror Writer/Director, Steve Sessions for filmmaking.net. Sessions is an independent filmmaker from Biloxi, Mississippi. His films include: &lt;em&gt;Contagio, Torment, Cremains&lt;/em&gt;, and &lt;em&gt;Dead Clowns&lt;/em&gt;, among others.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=111</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>5 Tips for a Successful Film Reel</title><description>A film reel can be the stepping stone to a rewarding career in the film or television industry. This can make or break your career. There are many opportunities for filmmakers, directors, cinematographers and editors to make a lasting impression and land the perfect job. Have you ever wondered what makes a good film reel?</description><link>http://www.filmmaking.net/articles/show_article.asp?id=104</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Filming Interviews for a Documentary</title><description>Marcus Shaw looks at the benefits for new filmmakers of including a documentary project or two in your production slate.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=102</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Risky Business: Producing &apos;Indie&apos; Films</title><description>The term &quot;indie film&quot; first came to prominence in the mid 1990s. Once Kevin Smith&apos;s &quot;Clerks&quot; (produced on a budget of $27,000) hit theaters and proved that a low dollar film—with a good script and decent enough actors—could score with audiences, the major studios took notice.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=103</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Top 5 Film &amp; Video Production Career Opportunities</title><description>Ever wonder which career opportunities you could pursue with a film and video production degree? Finding a job with great benefits and ideal growth opportunities is important to most people who get a degree in Film &amp; Video Production.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=105</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Tech vs Oldies Competition - Make a Mini-Doc and Win $10,000</title><description>The LFMP &apos;Video meets Baby Boomers&apos; is looking for some talented filmmakers to document how people 50+ interact with technology.   So grab your video camera and make a short documentary featuring yourself, family members, teachers or other acquaintances.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=106</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Heart and Soul of Great Dialogue</title><description>Co-Editor of Film Slate Magazine, C.J. Perry, provides some insight into how to get the dialogue in your script whipped into shape and working overtime.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=101</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>100 Prints launches new resource for British indie filmmakers</title><description>100 Prints is a new resource site for British independent filmmakers (although much of the content is probably relevant to filmmakers outside of the UK as well).   The objective of the site is to help develop better business practice for filmmakers, which in itself isn&apos;t a USP for the site.  But 100 Prints&apos; approach is.   To achieve this aim, the site sources case studies and does interviews with other independent filmmakers, to discuss how they have achieved success.  </description><link>http://www.filmmaking.net/articles/show_article.asp?id=100</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Show Me The Money - European Audiovisual Observatory Cannes Workshop</title><description>The European Audiovisual Observatory was looking after the cash at the Cannes film market this year with its SHOW ME THE MONEY workshop which took place on Sunday 17 May 2009.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=99</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Millions of film makers can be heard over the Internet but who is listening to them?</title><description>The unprecedented power of the Internet is threatening to bring down traditional barriers in the most closed industry in the world - the film industry.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=98</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Win a Free Production Kit with EDIUS</title><description>Grass Valley, publishers of EDIUS, have put some nice kit on the table.  All you need to do is flex your creative muscles and produce a short commercial for the software, and the kit could be yours.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=97</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Video Hosting Site Quality Comparison</title><description>If you&apos;re looking for somewhere to host your short film, there is now a plethora of options available, from the ubiquitous YouTube through to photo-sharing sites like Flickr and Photobucket, which have recently jumped on the video hosting bandwagon.  </description><link>http://www.filmmaking.net/articles/show_article.asp?id=96</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>One Fat Cigar Launch Competition</title><description>Filmmaking.net offers you a chance to get involved in the new &quot;Facebook for filmmakers&quot;, One Fat Cigar, through a competition for free memberships.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=95</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Focus 2009 - World Film Market Trends</title><description>Each year, the Marché du Film, the world&apos;s largest film market at the Cannes Film Festival releases a free report called Focus. The report details trends from the previous year in world film sales and distribution.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=93</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Interview:  Script Pimp&apos;s Chadwick Clough on Producing &apos;Rogues Gallery&apos;</title><description>Filmmaker and founder of Script Pimp, Clough Chadwick, talks with Cindy Rinaldi about launching the writer-executive match-making service and a shift into producing.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=91</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Reinvent a 1980s TV Commercial for Riunite and Win $10,000</title><description>In these uncertain economic times many companies have decided to ditch their expensive advertising agencies in favour of throwing out an open call to independent filmmakers to have a shot at producing a commercial for their product or service. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=92</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Keep the script bank full:  Watch out for the No-Man&apos;s Land!</title><description>Amey Nadkarni talks about why it is important for new and independent filmmakers to keep multiple projects on the boil.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=90</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>New Short Film Distribution Guide</title><description>Scottish Screen, the government film agency in Scotland, has produced an in-depth guide to the distribution of short films.  And the best news is that it can be downloaded for free.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=89</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Focus 2008 - World Film Market Trends</title><description>Each year, the March&amp;eacute; du Film, the world&apos;s largest film market at the Cannes Film Festival releases a free report called Focus.  The report details trends from the previous year in world film sales and distribution.   The report is always a valuable read for anyone in interested in the business side of the international film world. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=88</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Writing A Script</title><description>With the number of re-makes coming out these days, you&apos;d think every original film idea had been used a dozen times. Not to say that it hasn&apos;t (the black-white &quot;buddy cop&quot; film has practically become its own genre.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=87</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Review:  &apos;Movie Photos&apos; by Alex Bailey</title><description>In most industry professionals&apos; list of top tips for new and independent filmmakers you would find &quot;great stills&quot; near the top of the list.  Getting decent stills for your film while you are on set is essential as the best shots to use in your marketing and publicity materials may not necessarily be sourced from a frame in the film.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=86</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Love Linux?  Make a video and win a trip to Tokyo!</title><description>Last year saw Microsoft attempt to re-invent itself through advertising, while Apple continued to invest millions of dollars in its consumer-focused campaigns.  Now it&apos;s time for Linux to step up into the spotlight, the best way open source knows how - by tapping the collective expertise of the community.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=85</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>FestBomb - A New Premium Festival Submission Service</title><description>A new service aimed at streamling the process of submissions to a shot of premium film festivals has been launched.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=80</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Film Financing for the DIY Filmmaker</title><description>Donny Broussard looks at a collection of options for financing low-budget filmmaking.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=79</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>New Virtual Film Festival Unites Filmmakers and Film Executives</title><description></description><link>http://www.filmmaking.net/articles/show_article.asp?id=77</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>50 Things to Know About Film Production</title><description>In her blog, Chelsea Blacker provides a list of 50 things to keep in mind when you&apos;re shooting any sort of film.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=76</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Adding Value to Your DIY Film</title><description>Donny Broussard outlines some simple strategies to help enhance the quality your no-budget film.  </description><link>http://www.filmmaking.net/articles/show_article.asp?id=73</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Win a Development Deal with IFC and Red Bull</title><description>On Oscar Night did you rush back from the day job to spend your &quot;after hours&quot; watching the stars on the red carpet, wishing it could be you?  IFC and Red Bull might have just the ticket for you...</description><link>http://www.filmmaking.net/articles/show_article.asp?id=71</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>What Radiohead&apos;s &apos;Name Your Price&apos; Download Experiment Means for Filmmakers</title><description>filmmaking.net&apos;s editor-in-chief Benjamin Craig looks at the strengths and weaknesses of asking the audience to decide what to pay for media content.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=69</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Mistakes Made by Documentary Filmmakers</title><description>John S shares his recent experience on a documentary shoot by providing a few thoughts on key areas of consideration for documentary filmmakers.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=70</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>3D Storyboarding and Pre-Viz Made Easy</title><description>Antics Technologies has today released a free version of its real-time animation software enabling film enthusiasts and students to quickly and easily bring their script ideas to life.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=68</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Music in Your Movie</title><description>Scott Shaw outlines several strategies to help low-budget filmmakers put together a compelling soundtrack for their films.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=66</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Cliff Notes to Succeeding in Hollywood</title><description>Michael Ferris takes a realistic look at how to get your foot in the film career door... and argues that it&apos;s easier than you think!</description><link>http://www.filmmaking.net/articles/show_article.asp?id=67</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Review:  &apos;Getting Your Short Film Funded, Made, and Seen&apos; edited by Tricia Tuttle</title><description>Lok Rowland reviews the new short film production book from Shooting People.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=65</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>10 Great Production Tips to Enhance Your Film</title><description>Filmmaker and founder of the Victoria Motion Picture School, Barry Casson, outlines 10 simple but effective production tips to help lift your film above the competition. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=64</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>WGA strike and the future of film and TV production</title><description>With the writer&apos;s strike currently starting to bite hard into US network TV production, Matt Champagne takes a look at why this time around the situation is far more precarious for the writers than ever before.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=63</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Bollywood Piracy</title><description>Piracy of Hollywood films both on and offline is a well-known phenomenon, but what about for film industries in the rest of the world?  O.Doren looks at the ins and outs of how film piracy manifests itself in India&apos;s movie capital.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=62</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Radar Gives New Directors Chance to Crack the Music Industry</title><description>Aspiring directors will be given the chance to work with some of the best talent in the music industry through the second Radar Festival, including Kylie Minogue, Just Jack, Maximo Park and Richard Hawley.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=61</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Shooting Urban Films</title><description>Filmmaker Sid Kali defends the urban genre and takes a look at the dos and don&apos;ts of making films with urban themes.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=60</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Matching Independent Filmmakers with Global Distributors</title><description>A new service has started up which matches independent filmmakers with established international distributors.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=59</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Cannes Market Focus 2007</title><description>Published by the Cannes Market every year, Focus provides an overview of the key figures for production, distribution and admissions in 2006 in all the major film territories.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=58</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Comedy Central/Atom Films Test Pilots Competition</title><description>COMEDY CENTRAL is partnering with AtomFilms and once again putting out a challenge to its audience with the launch of the second annual &quot;COMEDY CENTRAL Test Pilots,&quot; an online competition in search of the next big broadband series.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=56</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The New Film Distribution: What You See is What You Get</title><description>The Wysiwyg Team argues that online distribution is about evolution not revolution and that the time is right for independents to start exploiting this new potential.
</description><link>http://www.filmmaking.net/articles/show_article.asp?id=57</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>The Death of Piracy</title><description>Piracy - no, not the eye-patch type, but the copyright infringement variety. Product piracy has been with us since the industrial revolution, but today it is most common in the distribution of music, films and television shows. Compared to the film and TV industries, those music bods have been there, done that, bought the t-shirt (or illegal download) and, nowadays, seen the video.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=54</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Appropriating the Film Text in a Digital Age</title><description>Anthony Cristiano takes an abstract look what textuality means to film in the digital age.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=53</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>HungryFlix.com offers digital distribution for indie filmakers</title><description>HungryFlix.com, the Internet&apos;s first distributor of premium, independent video content exclusively targeted to portable media players such as the Apple iPod and Sony PSP, is re-launching a live public beta. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=52</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>You are the Box Office Smash: The Personal Screenplay</title><description>Right this very second, in the heart of every struggling, undiscovered screenwriter, in the dark, hidden corner deep within, there is a voice, a clear whisper, saying one thing:  You&apos;re never gonna figure this out.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=51</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How to Get Foreign Distribution For Your Film</title><description>Finding foreign distribution for your independent film is an entirely different beast than finding domestic distribution. While it&apos;s true that foreign distribution used to be responsible for 70% of the sales that were made on a film, unfortunately the same is not true today.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=50</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Spielberg Invites Budding Filmmakers to Join Him &apos;On The Lot&apos; </title><description>Steven Spielberg and Mark Burnett opens the doors for a new Fox reality series on filmmaking.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=49</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>POV - Inferior technology</title><description>O.Doren argues the case that good films come from the filmmaker, not the camera.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=48</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>BAFTA Launch &apos;60 Seconds Of Fame&apos;</title><description>The British Academy of Film &amp; Television Arts have launched a new short film competition - 60 Seconds of Fame, run in association with Orange.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=47</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Make a Short Film, Win Cash Prizes</title><description>A new short film competition with a difference is giving film enthusiasts in Greater Manchester the chance to win cash prizes.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=46</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Seeing What the Camera Sees</title><description>At the heart of any cinematic creation is the visual image.  It does not matter how spectacular the locations are where you are filming, nor how great the performances of your actors -- if you do not correctly capture these images on your camera, then your film is lost.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=45</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Making the Cheapest Film on Earth</title><description>O.Doren takes a rational look at low-budget digital filmmaking on the streets of India. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=43</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How To Build A Buzz Machine For Filmmakers</title><description>Jackie Huba reviews &quot;Creating Customer Evangelists&quot; by Ben McConnell amp; Jackie Huba in the context of how the concepts discussed apply to independent filmmakers who are trying to get their work in front of an audience; and more importantly, a paying audience.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=44</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>What if I haven&apos;t gone into production yet?</title><description>I&apos;ve gotten a lot of questions lately from filmmakers who haven&apos;t gone into production yet with their films, as to whether or not it&apos;s a good time to start thinking about distribution.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=41</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Webfilm -  Much ado about nothing?</title><description>Filmmakers have held their breath at the prospect that their industry and craft is about to be changed forever by the impact of digital technology as a production medium and the internet as a delivery platform. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=42</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Low Budget Filmmakers Must Do Everything Required</title><description>Award-winning independent filmmaker Michael P. Connelly talks about the commitment that is required to make a low budget movie almost entirely on your own using very little money with the intention of entering it in film festivals like Sundance, Cannes, Houston Worldfest, etc...</description><link>http://www.filmmaking.net/articles/show_article.asp?id=37</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>What is Vodcasting?</title><description>When I first heard of &quot;vodcasting,&quot; the term seemed to be a clumsy upgrade of the more popular term &quot;podcasting.&quot;</description><link>http://www.filmmaking.net/articles/show_article.asp?id=38</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Generate Date-Time for Podcast, Vodcast, or RSS feeds</title><description>Whether you are publishing a RSS feed, a Podcast, or a Vodcast, the RSS date/time format is a pain in the neck to create -- especially if you are building the XML in a text editor.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=39</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>What Is A Pro?</title><description>The word &quot;Professional&quot; is often bandied about by indy filmmakers, and I&apos;ve heard and read many things I just wouldn’t expect a &quot;Pro&quot; to say...</description><link>http://www.filmmaking.net/articles/show_article.asp?id=40</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Just Do It!  The Art of Zen Filmmaking</title><description>Let&apos;s face it, many people want to make films. They have dreams, they have plans, sometimes they even put a cast and a crew together, but most of these films never get completed. The primary reason for that is that most people have the expectation of their low-budget film coming out looking like a high-budget Hollywood production.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=34</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>What if I haven&apos;t gone into production yet?</title><description>I&apos;ve gotten a lot of questions lately from filmmakers who haven&apos;t gone into production yet with their films, as to whether or not it&apos;s a good time to start thinking about distribution.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=35</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Five Good Producer Skills</title><description>You may believe a thorough knowledge of  filmmaking and the entertainment industry is enough to make you a good movie producer.  While it certainly helps to know  the nuts and bolts of movie production, and even the details of financing and marketing a movie, that knowledge is not enough to create a good producer.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=13</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Don&apos;t Pay Rate Card!</title><description>Paying full rate card for your equipment and consumables is a surefire way of eating up your budget real quick.  Producer Angela Taylor looks at some strategies to help you negotiate to get things you need considerable cheaper than the price on the tag.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=15</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Ensuring an Audience and Repaying Investors</title><description>Film Distribution is the final frontier in the film production process. Many filmmakers begin production on their film without giving any thought to film distribution.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=31</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Another Solution for Distribution is the Do-it-Yourself Approach</title><description>self-distribution</description><link>http://www.filmmaking.net/articles/show_article.asp?id=32</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>How To Make A Real Independent Movie</title><description>To do anything worthwhile in life is a process and if you put your mind to it you can do it&quot; That&apos;s what my dad used to say to me all the time when I was a kid.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=33</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>What to Do until the Money Arrives </title><description>Playing the waiting game is one of the hardest parts of the filmmaking process.  Producer Angela Taylor provides some practical and motivational advice to help you ensure your project doesn&apos;t stall while you wait for the money to show up.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=14</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>&apos;A Self-conscious Mise-en-scene&apos; a filmmaking experience</title><description>Provides a critical look at the use of mis-en-scene filmmaking in classic and modern Italian films.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=29</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Thinking About Distribution Before Starting Production</title><description>Provides some insight into distribution considerations early in the film production process.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=28</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Working with Actors for Film</title><description>Provides information for directors on working with actors during pre-production and on-set.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=30</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>V-Pods - Video iPods and the Indie Filmmaker</title><description>Apple has now launched video on the iPod. </description><link>http://www.filmmaking.net/articles/show_article.asp?id=16</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>War of the Words</title><description>Preti Taneja, producer of the Cannes 2005 finalist short film, &quot;The Man Who Met Himself&quot;, talks about the language of filmmaking.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=24</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Writing Effective Dialogue</title><description>Screenwriter Michael Daniels looks at some of the key concepts for writing dialogue for your characters which feels &quot;natural&quot;.</description><link>http://www.filmmaking.net/articles/show_article.asp?id=26</link><pubDate>2022-10-12 GMT</pubDate></item><item><title>Get Published - Write for Filmmaking.net!</title><description>Write an article for filmmaking.net</description><link>http://www.filmmaking.net/articles/show_article.asp?id=27</link><pubDate>2022-10-12 GMT</pubDate></item></channel></rss>